How to use Trigger 2 in Logic Pro X

This article will go over three different workflows for using Trigger 2 in Logic Pro X: 

1. Inserting Trigger directly on the source track and using the mix knob
2. Duplicating the source track and inserting Trigger
3. Using MIDI

1. Inserting Trigger directly on the source track and using the mix knob

The simplest workflow for using Trigger in Logic Pro X, is to insert Trigger 2 directly on the track with the audio you wish to trigger samples from. 

Users can then use the Mix knob in the Trigger plug-in to control the blend between the source audio, and the Trigger samples. 

2. Duplicating the source track and inserting Trigger

Select your source audio track. Then hold "Option and drag your track down to create a duplicate track and audio file. Then insert Trigger 2 on the duplicate track.

With this method, users can process their added samples, separately from the source audio. Users will want to make sure the Mix knob in the Trigger plug-in is set to 100%, with this method.

3. Using MIDI

Users can also use Trigger 2 with MIDI data. Go to Track → New Software Instrument Track. Then from the "Instrument" menu (Under where it says "MIDI FX" in the channel strip) scroll down to AU MIDI-controlled effects, then Steven Slate → Trigger 2. 

Open your Trigger 2 plug-in, and go to the "Settings" tab. Make sure "MIDI In" is checked. Then select the note that you wish to use to write MIDI data. 

Now, you can write in MIDI notes for Trigger 2. 

NOTE: Using AUX sends to Trigger is not recommended as this can cause discrepancy in the triggers if the aux is not pre-fader.  Also, having only an Aux send removes a lot of possibilities for editing, such as cutting out a drum fill or a loud crash cymbal that may be falsely triggering a snare or kick in Trigger 2.

By instead duplicating the source track and inserting Trigger (Method 2), this opens up a lot more dynamic options.

For example, with this method, users can separate a low level snare hit that may not have made it through the trigger threshold and gain up that region. 

Or, you can cut out an entire piece of audio that is not supposed to be triggered.